| Sequence |
Description |
Movie |
Length |
| 1 |
Title sequence: the psychiatrist with her husband and three arrests: housewife, waitress, secretary |
A Question of Silence |
7:30 |
| 2 |
After housewife Christine is introduced, flashback to her shopping with a stroller |
A Question of Silence |
3:12 |
| 3 |
Janine interviews secretary Andrea's boss; flashback to corporation business meeting |
A Question of Silence |
2:11 |
| 4 |
Images of Christine's and waitress Annie's home lives |
A Question of Silence |
1:54 |
| 5 |
Flashback to murder |
A Question of Silence |
2:16 |
| 6 |
"I don't think they're insane." Flashback to the murder and what each woman does afterwards" |
A Question of Silence |
6:56 |
| 7 |
Janine and her husband in bed. Janine's images of each woman turning away |
A Question of Silence |
3:48 |
| 8 |
Flashback to Andrea having sex as a prostitute |
A Question of Silence |
1:27 |
| 9 |
Janine and Andrea: women's bond |
A Question of Silence |
2:13 |
| 10 |
In court, Janine argues the women are not insane |
A Question of Silence |
2:34 |
| 11 |
The laugh of Medusa |
A Question of Silence |
4:29 |
| 1 |
Birth of the Alien from Kane |
Alien |
2:37 |
| 2 |
Betrayal by Mother and Ash's attempt orally to rape Ripley with porn magazine |
Alien |
8:02 |
| 3 |
Final battle between Ripley and Alien in the escape pod |
Alien |
5:57 |
| 1 |
Ending: Ripley destroys the Alien mother in her womb by suicide |
Alien 3 |
8:47 |
| 1 |
From the opening of the eggs for potential victims to Ripley's basketball feats |
Alien Resurrection |
3:08 |
| 2 |
Ripley kills her cloned selves |
Alien Resurrection |
4:44 |
| 3 |
Ripley's affinity for her sister Alien |
Alien Resurrection |
6:39 |
| 1 |
Opening sequence: Ripley as earth-mother |
Aliens |
3:04 |
| 2 |
Ripley's nightmare |
Aliens |
1:39 |
| 3 |
Birthing in the space ship; Vasquez's comments on Ripley and gender |
Aliens |
2:12 |
| 4 |
Bishop's dexterity with a knife |
Aliens |
2:46 |
| 5 |
The discovery of floating specimens; finding Newt |
Aliens |
5:20 |
| 6 |
Entering the Alien mother's womb/tomb |
Aliens |
9:19 |
| 7 |
Ripley and Newt betrayed by Burke |
Aliens |
4:13 |
| 8 |
Ripley descends to save Newt |
Aliens |
10:10 |
| 9 |
Final battle between Ripley and the Alien mother |
Aliens |
6:02 |
| 1 |
From the beginning to Jeffrey's discovery of the ear |
Blue Velvet |
5:12 |
| 2 |
Jeffrey as voyeur in Dorothy's apartment part 1 |
Blue Velvet |
4:23 |
| 3 |
Jeffrey as voyeur in Dorothy's apartment part 2 |
Blue Velvet |
8:59 |
| 4 |
Pussy Heaven |
Blue Velvet |
6:30 |
| 5 |
Dorothy nude on Jeffrey's porch |
Blue Velvet |
3:29 |
| 6 |
Final family gathering |
Blue Velvet |
3:03 |
| 1 |
Meet Mattie, film noir femme fatale |
Body Heat |
3:34 |
| 2 |
Ned crashes through Mattie's door |
Body Heat |
5:41 |
| 3 |
Mattie and Ned begin to plot Edward's murder |
Body Heat |
3:53 |
| 4 |
Dinner with Edward Walker: "to do what's necessary-whatever's necessary" |
Body Heat |
4:30 |
| 5 |
Ned executing the plan |
Body Heat |
4:02 |
| 6 |
Ned confronts Mattie: the boathouse at night |
Body Heat |
7:05 |
| 7 |
Mattie: Is she happy? |
Body Heat |
1:24 |
| 1 |
Where are we? In the closet with Violet's voice-over |
Bound |
2:49 |
| 2 |
Violet is "so in awe of people who can fix things": Corky |
Bound |
0:51 |
| 3 |
Violet offers Corky a drink and a peek at her labyris |
Bound |
5:06 |
| 4 |
We make our own choices, we pay our own prices |
Bound |
1:50 |
| 5 |
In the bar, Violet and Corky plot a new life |
Bound |
4:04 |
| 6 |
The plan is cross-edited with its execution and a voice over |
Bound |
6:06 |
| 7 |
Cesar kills the father and son |
Bound |
3:29 |
| 8 |
Cesar discovers the plot |
Bound |
4:42 |
| 9 |
Mickey: "They make us do stupid things." |
Bound |
2:53 |
| 10 |
Violet: "Cesar, you don't know shit!" |
Bound |
4:59 |
| 11 |
Corky: "You know the difference between you and me?" |
Bound |
0:11 |
| 1 |
Title sequence: Brandon gets a manly makeover and leaves Lincoln, Nebraska for Falls City |
Boys Don't Cry |
6:07 |
| 2 |
Brandon gets into a fight for Candice |
Boys Don't Cry |
3:32 |
| 3 |
Bumper-skiing |
Boys Don't Cry |
4:07 |
| 4 |
Brandon steals a ring for Lana |
Boys Don't Cry |
4:09 |
| 5 |
Brandon crosses John, who had "no impulse control"; test of manliness |
Boys Don't Cry |
4:09 |
| 6 |
Brandon and Lana become lovers |
Boys Don't Cry |
2:32 |
| 7 |
Cross-cutting between Brandon and Lana and John's search for both |
Boys Don't Cry |
3:54 |
| 8 |
Brandon: is she male or female? The ultimate test |
Boys Don't Cry |
4:01 |
| 9 |
Cross-cutting between Brandon's rape and the police interrogation |
Boys Don't Cry |
6:05 |
| 1 |
Celine plays Julie with Julie's boyfriend and rejects his proposal of marriage |
Celine and Julie Go Boating |
4:35 |
| 2 |
Celine and Julie use the candy to remember events in the house |
Celine and Julie Go Boating |
6:33 |
| 3 |
Julie plays Celine in her nightclub act and challenges the male spectators |
Celine and Julie Go Boating |
7:29 |
| 4 |
Wetsuits and Witchcraft |
Celine and Julie Go Boating |
6:04 |
| 5 |
Saving the little girl in the house of fiction, part I |
Celine and Julie Go Boating |
5:08 |
| 6 |
Saving the little girl in the house of fiction, part II |
Celine and Julie Go Boating |
8:35 |
| 7 |
Saving the little girl in the house of fiction, part III |
Celine and Julie Go Boating |
6:59 |
| 1 |
Meet Phyllis, film noir femme fatale |
Double Indemnity |
5:24 |
| 2 |
Phyllis' insurance plan: "a morgue job" |
Double Indemnity |
5:13 |
| 3 |
Phyllis and Neff rendezvous and Neff begins to plot |
Double Indemnity |
2:40 |
| 4 |
Phyllis and Neff meet at the supermarket |
Double Indemnity |
2:39 |
| 5 |
The murder: Phyllis' close-up |
Double Indemnity |
4:49 |
| 6 |
"I couldn't hear my own footsteps." |
Double Indemnity |
1:12 |
| 7 |
Jerry's market and Keyes's suspicion |
Double Indemnity |
2:45 |
| 8 |
"The last stop is the cemetery" |
Double Indemnity |
6:34 |
| 1 |
S. Weaver as computer liaison |
Galaxy Quest |
1:00 |
| 2 |
Fatal error: "Aren't they sweet?" |
Galaxy Quest |
1:29 |
| 3 |
"Who wrote this?": the chopper |
Galaxy Quest |
0:52 |
| 1 |
Airport: Howard and Chad criticize the effects of affirmative action on their manhood |
In the Company of men |
2:23 |
| 2 |
Bar: Chad proposes to Howard a plan "to restore a little dignity to our lives." |
In the Company of men |
3:14 |
| 3 |
Howard and Christine having lunch, sharing personal histories |
In the Company of men |
2:33 |
| 4 |
Office party - Howard in a party hat |
In the Company of men |
0:49 |
| 5 |
Howard on the phone |
In the Company of men |
2:22 |
| 6 |
Chad venting to Howard on the roof about what it means to be in the company of men |
In the Company of men |
2:39 |
| 7 |
Chad humiliates the black intern Keith |
In the Company of men |
4:15 |
| 8 |
Chad enjoys crushing Christine |
In the Company of men |
5:23 |
| 9 |
Chad enjoys crushing Howard |
In the Company of men |
5:05 |
| 1 |
Title sequence |
Kiss the Girls |
2:13 |
| 2 |
"Please Talk to me!" |
Kiss the Girls |
1:15 |
| 3 |
Kidnapping Kate McTiernan |
Kiss the Girls |
4:05 |
| 4 |
Kate waking imprisoned |
Kiss the Girls |
3:21 |
| 5 |
Circular shot of police: from Casanova to Alex Cross; Kate escapes |
Kiss the Girls |
5:32 |
| 6 |
Heroine Kate hypnotized: He has no face. |
Kiss the Girls |
2:25 |
| 7 |
Cross's interrogation of Wick |
Kiss the Girls |
3:43 |
| 8 |
Naomi playing violin for the Gentleman Caller |
Kiss the Girls |
1:39 |
| 9 |
Kate welcomes Casanova |
Kiss the Girls |
9:53 |
| 1 |
Paul and Jeanne meet, have sex in the apartment |
Last Tango in Paris |
3:59 |
| 2 |
Paul proposes sex without names, without language |
Last Tango in Paris |
3:02 |
| 3 |
Jeanne and Paul exchange histories |
Last Tango in Paris |
7:33 |
| 4 |
Paul with Rose's lover |
Last Tango in Paris |
5:50 |
| 5 |
Paul bathes Jeanne |
Last Tango in Paris |
3:15 |
| 6 |
Paul with Rose's corpse |
Last Tango in Paris |
5:20 |
| 7 |
Paul pursues Jeanne to his death |
Last Tango in Paris |
6:51 |
| 1 |
Meet neurotic Charlotte Vale |
Now, Voyager |
1:12 |
| 2 |
Charlotte Vale's makeover or playing Renee Beauchamps |
Now, Voyager |
3:21 |
| 3 |
Interpreting desire through dreams |
Now, Voyager |
1:43 |
| 4 |
Charlotte declares her independence |
Now, Voyager |
2:41 |
| 5 |
Charlotte's desire; her mother's death |
Now, Voyager |
4:55 |
| 6 |
Tina's makeover |
Now, Voyager |
2:33 |
| 7 |
Charlotte's sacrifice |
Now, Voyager |
3:26 |
| 1 |
"It's all about money." |
Pretty Woman |
3:15 |
| 2 |
Vivian as the working girl |
Pretty Woman |
2:08 |
| 3 |
Embattled masculinity: Edward can't drive a stick shift |
Pretty Woman |
3:11 |
| 4 |
Vivian as screwball heroine |
Pretty Woman |
2:47 |
| 5 |
Shopping Rodeo Drive- the first time |
Pretty Woman |
3:02 |
| 6 |
Vivian's makeover |
Pretty Woman |
1:53 |
| 7 |
"We both screw people for money." |
Pretty Woman |
2:28 |
| 8 |
Vivian learns how to shop |
Pretty Woman |
4:25 |
| 9 |
The opera and Vivian's innate nobility |
Pretty Woman |
3:36 |
| 10 |
Edward makes peace with patriarchy |
Pretty Woman |
3:12 |
| 11 |
Who saves whom? |
Pretty Woman |
3:42 |
| 1 |
Thelma as housewife/Louise as waitress |
Thelma and Louise |
2:05 |
| 2 |
The women pack and leave |
Thelma and Louise |
2:02 |
| 3 |
The rape of Thelma and Louise shoots Harlan |
Thelma and Louise |
4:21 |
| 4 |
Thelma's phone call to Darryl, meeting with J.D. |
Thelma and Louise |
5:17 |
| 5 |
Slocum in Louise's apartment |
Thelma and Louise |
0:40 |
| 6 |
Thelma in bed with J.D. |
Thelma and Louise |
2:40 |
| 7 |
Thelma robs a convenience store; the men watch |
Thelma and Louise |
3:09 |
| 8 |
First meeting with truck driver |
Thelma and Louise |
1:11 |
| 9 |
Second meeting, followed by confrontation with policeman |
Thelma and Louise |
8:04 |
| 10 |
Third and final meeting with truck driver |
Thelma and Louise |
4:44 |
| 11 |
Let's keep going. |
Thelma and Louise |
2:57 |
| 1 |
Title sequence: La Boheme + Psycho = Thriller |
Thriller |
5:19 |
| 2 |
The plot of the opera La Boheme in the heroine Mimi's voiceover |
Thriller |
3:25 |
| 3 |
They were making something in their studio: the male artist, the male philosopher. Mimi asks: "What if I had been the subject instead of its subject?" |
Thriller |
5:50 |
| 4 |
Mimi asks about the prostitute Musetta: "Was she the victim also?" |
Thriller |
1:37 |
| 5 |
Mimi says, "Suddenly I understand," and rewrites La Boheme from a Marxist and feminist perspective. |
Thriller |
3:19 |
| 6 |
Mimi says, "Yes, it was murder" and regrets never making friends with the other woman in the story--Musetta. |
Thriller |
0:38 |
| 1 |
Title sequence: domestic violence |
Tumbleweeds |
3:44 |
| 2 |
Mary Jo meets her Marlboro man on the road |
Tumbleweeds |
3:29 |
| 3 |
Blue Saloon with Laurie / Pink Motel with Jack |
Tumbleweeds |
3:26 |
| 4 |
Mary Jo quits her job with the condescending little pervert |
Tumbleweeds |
2:20 |
| 5 |
Life with Jack |
Tumbleweeds |
3:11 |
| 6 |
Mother and daughter Ava in mirror |
Tumbleweeds |
1:16 |
| 7 |
Learning how to kiss |
Tumbleweeds |
2:57 |
| 8 |
A visit from Auntie Rose; mother and duaghter have fun |
Tumbleweeds |
2:36 |
| 1 |
Credit sequence |
Vertigo |
2:43 |
| 2 |
Midge draws a brassiere, Scottie needs support |
Vertigo |
3:06 |
| 3 |
Scottie meets Madeleine at Ernie's |
Vertigo |
1:37 |
| 4 |
The mirror in the flower shop and the man's gaze |
Vertigo |
1:10 |
| 5 |
Image of Carlotta in the art museum |
Vertigo |
1:56 |
| 6 |
Scottie saves Madeleine from drowning |
Vertigo |
2:19 |
| 7 |
Redwood forests and previous lives |
Vertigo |
3:40 |
| 8 |
Scottie's vertigo, Madeleine's fall |
Vertigo |
3:43 |
| 9 |
Scottie's nightmare |
Vertigo |
1:30 |
| 10 |
Judy's flashback |
Vertigo |
4:12 |
| 11 |
Judy's makeover |
Vertigo |
2:15 |
| 12 |
The dead Madeleine returns |
Vertigo |
2:51 |
| 13 |
Judy's fall. Final shot of Scottie |
Vertigo |
6:03 |